You’ve found the right place for high-end film/video crews to shoot Corporate Events in the St. Louis area. St. Louis Video Crews is a company that was built on providing the highest-quality film and video production.

Getting the perfect shot of a person speaking at a live event isn't always easy . . . but we make it look like it was. We understand there are many constraints, restraints and management and executives involved in a corporate event. We promise to not step on any toes, but at the same time, doing what is necessary to get you footage that looks exceptional.

We know how to frame a shot, the right lens to use, how to light the person, where to position a camera. We also know how to subtly and politely interface with all people involved in a complex event, with the goal of quality footage and all the while, being as invisible as possible.

We are experts in ALL kinds of corporate events - we've done them all. From simple meetings for 10 people, to a speaker (or multiple speakers) in an auditorium before thousands. We've recorded and shot in hundreds of hotel ballrooms across the country, in big cities and small. Night-time events are handled with ease and professionalism - we have the cameras that hold up to nighttime requirements of sensitivity without creating noise in the picture. And whether your events are short or incredibly long, we can shoot up to 48 hours continuous without interruption, because ALL of our cameras are high-end, professional equipment, built for the demands of specialized shooting.

The SONY FX9 features a 15-stop dynamic range, supports dynamic HDR, hybrid log gamma mode (HLG), and records 10-bit 4:2:2 to dual XQD media card slots that support simultaneous and relay recording, as well as multiple backup recording modes that utilize proxy files. The camera can record UHD (3840 x 2160) and HD (1920 x 1080) internally at a selectable frame rate from 1 fps up to 60 fps in XAVC-I, XAVC-Long, and MPEG HD formats. Its 7-stop electronic variable ND filter can perform in auto or manual mode, smoothly adjusting from 1/4 to 1/128 density. The camera's default S-Cinetone color look offers the same soft, vivid tone as with Sony's VENICE camera.

This camera setup is perfect for commercials, high-end network cinematography for broadcast television, features, or special effects work. It does well with high-end greenscreen shots and slow-motion cinematography.