CMOS 6K sensor (identical to sensor used in top of the line "Venice"), 4:2:2 4K internal recording, uncompressed 4K video out via SDI, Super Slow motion 4K up to 120 fps, variable electronic ND filter, programmable gamma, cine prime lenses available for rental: FUJINON Cine Zoom 18mm-55mm, FUJINON Cine Zoom 50mm-135mm, SONY G 28-135 OSS G, Fish-eye ultra wide angle lens, Cine Primes @ 20, 35, 50, 75, 85mm

A perfect "B" camera for the SONY FX9, this compact workhorse delivers 4K footage suitable for matching shots where a 2-camera shoot is desired. This camera can be mounted on our RONIN isolated gimbal rig for smooth, steady shots.

CMOS Super 35mm sensor, 4:2:2 SDI uncompressed 4K video out, HD uncompressed Video out, 2K out, 4:4:4 HD out, Super Slow motion up to 480 fps, programmable gamma, cine prime lenses available for rental, Fish-eye ultra wide angle lens available (genuine lens, not adaptor), Zoom lenses available: Canon 80mm-200mm, Canon 75mm-300mm f/4-5.6, Cine primes @ 20, 35, 50, 85mm

(EX) Full-res 1920 X 1080 High def pixels, 3 CCD, 4:2:2 HDMI video out, solid state XDCAM HD capture, camera support, power, batteries, charger, LED on-camera light (low power consumption), Wide-angle lens available

SONY Alpha 7II E-mount w/HDMI out and HD recording capabilities

Full-res sensor HD video camera, removable lenses

Records dual images simultaneously

1/2" Broadcast PTZ dome camera with full remote capabilities, SDI/HDMI out, networkable, for use with Panasonic controller

Waterproof HD action camera suitable for water shots, helmet shots, etc.

Up to 18 4K cameras. Call or email for details.

ODYSSEY 7Q, records UNCOMPRESSED 4K for full cine files (note: additional charges apply for data handling). Can record 4:4:4 color space, up to 14-bit quantization, and bursts of slo-mo (overcranked) at up to rates of 240 fps.

NanoFlash, records via HD-SDI or HDMI. Utilizes high-quality Sony XDCAM 422 CODEC, recording the video/audio at up to 160Mbps (Long-GOP) or 220 Mbps (I-Frame). The footage can be stored in either Quicktime (MOV), MXF, or MPG file formats, providing near-universal NLE support as well as DVD / Blu-Ray authoring formats. (typically, for high-end commercial usage or green/blue screen work)

Up to 96kHz/24-bit PCM digital audio recording for field work

Sony UWP-D21 Camera-Mount Wireless Omni Lavalier Microphone System (UC90: 941 to 960 MHz)

UHF frequency, clearscan function, selectable broadcast power levels, also transmitter unit for hand-held stick mic

With transmitter and receiver included

FUJINON Cine Zoom 18mm-55mm
FUJINON Cine Zoom 50mm-135mm
SONY G 28-135 OSS G (motorized servo)
SONY E PZ 18-200mm f/3.5-6.3 OSS Lens
Samyang 24mm f/1.8 Autofocus Compact Cine Prime Lens for Sony E
ROKINON Fish-eye ultra wide angle lens, Sony E-mount
SIGMA Art Series Cine 85mm prime
Cine Primes @ 20, 35, 50, 75, 85mm
Other specialized lenses available (Russian, 70's retro, etc.)

With internal solid-state recording system, 1:1 pixel, Zoom, focus-assist, Zebras, Histogram, etc.

With SDI inputs, "pixel to pixel" function for aboslute reference, Blue only, Greyscale only, plus SONY broadcast series field monitors (several), tested and scoped regularly

With carbon fiber quick-adjustable legs

For XDCAM-HD camera, allows long walking shot with gyro-stabilized effect

Gyro stabilized computer-controlled camera mount for true Gimbal performance. Requires minimum 1 operator for unit, additional operator for remote camera control, additional operator for remote follow focus.

Large: conventional computer (Mac), front-end monitor and mirror system, tripod, operator. Medium: iPad-based, with smartphone software controller, Mirror system for camera, Small: Available light system (best used outdoors) for one-page reads such as stand-ups.

SDI, includes inputs for computer and HDMI, timed or untimed camera inputs

Dulling spray, gaff tape, more