St. Louis Video Crews is pleased to announce the addition of SONY's second to the very top of the line camera, the FX9, with 6K imager and a host of serious capabilities and features.
St. Louis Video Crews is pleased to announce the addition of SONY's second to the very top of the line camera, the FX9, with 6K imager and a host of serious capabilities and features.Features 6K Full-Frame Exmor R CMOS Sensor 15 Stops of Dynamic Range, Dynamic HDR DCI 4K and UHD 4K up to 59.94p HD Recording up to 150/180 fps Quad Full HD 120p Raw with XDCA-FX9 Unit Sony E-Mount 10-Bit 4:2:2 XAVC-I up to 600 Mb/s Auto-HD, AF, 7-Stop ND Filter, 3D LUTs Dual Base ISO up to 102,400, HLG Mode 12G/6G/3G-SDI & HDMI Output up to 4K Phenomenal 15+ stops dynamic range for limitless expression The FX9 offers an exceptional 15+ stops of dynamic range—allowing for unprecedented creative freedom in color grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colorists can find color and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. *RAW recording requires Ver.2.0 or higher firmware, XDCA-FX9 and external recorder. Dual Base ISO for stunning images in any light Digital imaging sensors perform best at their base ISO as no unnecessary gain (voltage) is added to the sensor’s output. While a typical camera has a single base ISO, carefully chosen to provide the optimum settings for a wide range of shooting scenarios, the FX9’s dual ISO function offers far greater flexibility. Its low base sensitivity of ISO 800* is similar to most other digital cinema cameras offering an excellent balance between dynamic range and sensitivity for most normal types of production. The FX9 with its secondary High Base ISO of 4000* excels in low-light conditions without adding extra gain. Low-light scenes can be shot using High Base and 4000 ISO with near identical image quality to Low Base and 800 ISO. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next-generation responsiveness to changing conditions.*ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic color science with S-Cinetone™ S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colors, alluring facial tones and a softer tonal look—developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means your content looks fresh and vivid straight out of the camera, with subjects that really stand out while retaining plenty of latitude in post-production thanks to the high-performance full-frame image sensor.
